Camera movement has always been part of good storytelling. It has a purpose, and you need someone who understands what that purpose is.
I've worked with handheld gimbals since the very first models came into production, so I've studied how they work, when they work, and when they don't. The goal was never just to use a gimbal, it's to use camera movement, and a gimbal is only one of the many tools that make that possible. Whether it's a slow push-in for dramatic effect or a wide, sweeping shot to establish a scene, you need someone who understands the right move, the right tools, and how they carry your message to the audience.
Motivated camera movement, from a slow push-in to running alongside the action.
Car-to-car and tracking shots, rigged to vehicles for stability at speed.
Full remote control of the camera, gimbal, and lens, for unique mounting situations where an operator can't be with the camera.
Purpose-built rig setups for the shot, low mode, cable, crane, or handheld.
Professional 3-axis gimbal with up to a 30 lb payload for full cinema builds. Runs handheld or mounted to vehicles, cranes, and cable rigs, with GPS-assisted stability at speed.
Lightweight carbon-fiber 3-axis gimbal, 10 lb payload with LiDAR-assisted autofocus. Fast to balance and deploy for mirrorless and compact cinema cameras.
Body-worn support that transfers the gimbal's weight to the hips and core, adding vertical stabilization and removing the walking bounce on long takes. Slim enough for doorways and car interiors.